Welcome to the One/Day Project

Here you will find hundreds of photos that I've taken every day since 2/29/2008. I reached my initial goal of making it to leap day 2012 (after 1462 photos), but I'm still going - the new goal is to make it to Monday, 2/29/2016.

Every photo in these galleries is a unique creation from that day. My intent is to create art, and I've taken great care to create most of these photographs. In addition to not uploading simple snapshots, I try incredibly hard not to repeat myself.

Please enjoy, and feel free to comment. Like the shot? Give it a thumbs up. Really like it? Buy a print or digital download.

Thanks for looking!

_06/14/12_ Red Stools
Today was fun. I worked last Saturday and so I needed to take another day off to make up for it, and I chose today. I played the part of chauffeur and drove my wife around to the various places she goes for her job. The first stop was near the Los Angeles Farmers Market, where I took this shot. I also walked over to the Grove. Both places were pretty fun to visit at 9am on a weekday - hardly anyone around compared to later in the day or the huge weekend crowds.
I also stopped by Samys Camera, where they were having a sale. Yep, I bought something. Something AWESOME. Ok, I'll just tell you - I got a carbon fiber tripod and head! Sadly it wasn't as great of a deal as I originally thought. Compared to full retail price, it was amazing. But compared to what Adorama and B&H would have charged, I only saved about $20 (and I didn't have to wait for shipping). But still, I'm very excited about it, and will probably do a review of some sort on the ol' blog.

[last year]
_05/27/12_ Face Sculpting
I started watching a Lynda.com course about night and low light photography, so I headed down to the Santa Monica pier to try some of it out. I definitely got some cool photos, although it's hard to remember the techniques while also searching out good photos.
One thing that stuck with me - find the good light, and then work with it. In this photo, the bright overhead light in between the sculpter and sculptee offered some drama to the scene, and so I took several shots of it. 
The kid looked very cold and not particularly happy. This is why people only smile for the camera, and not the paintbrush. Or... whatever people use to mold clay. You just can't stay happy sitting still.

[last year]
_05/27/12_ Face Sculpting
I started watching a Lynda.com course about night and low light photography, so I headed down to the Santa Monica pier to try some of it out. I definitely got some cool photos, although it's hard to remember the techniques while also searching out good photos.
One thing that stuck with me - find the good light, and then work with it. In this photo, the bright overhead light in between the sculpter and sculptee offered some drama to the scene, and so I took several shots of it.
The kid looked very cold and not particularly happy. This is why people only smile for the camera, and not the paintbrush. Or... whatever people use to mold clay. You just can't stay happy sitting still.

[last year]
_05/27/12_ Face Sculpting I started watching a Lynda.com course about night and low light photography, so I headed down to the Santa Monica pier to try some of it out. I definitely got some cool photos, although it's hard to remember the techniques while also searching out good photos. One thing that stuck with me - find the good light, and then work with it. In this photo, the bright overhead light in between the sculpter and sculptee offered some drama to the scene, and so I took several shots of it. The kid looked very cold and not particularly happy. This is why people only smile for the camera, and not the paintbrush. Or... whatever people use to mold clay. You just can't stay happy sitting still. [last year]" href="javascript:openLB(1871437148,'',XLarge,'',1024,685);">_05/27/12_ Face Sculpting
I started watching a Lynda.com course about night and low light photography, so I headed down to the Santa Monica pier to try some of it out. I definitely got some cool photos, although it's hard to remember the techniques while also searching out good photos.
One thing that stuck with me - find the good light, and then work with it. In this photo, the bright overhead light in between the sculpter and sculptee offered some drama to the scene, and so I took several shots of it. 
The kid looked very cold and not particularly happy. This is why people only smile for the camera, and not the paintbrush. Or... whatever people use to mold clay. You just can't stay happy sitting still.

[last year]
_05/27/12_ Face Sculpting
I started watching a Lynda.com course about night and low light photography, so I headed down to the Santa Monica pier to try some of it out. I definitely got some cool photos, although it's hard to remember the techniques while also searching out good photos.
One thing that stuck with me - find the good light, and then work with it. In this photo, the bright overhead light in between the sculpter and sculptee offered some drama to the scene, and so I took several shots of it.
The kid looked very cold and not particularly happy. This is why people only smile for the camera, and not the paintbrush. Or... whatever people use to mold clay. You just can't stay happy sitting still.

[last year]
See photo in original gallery.
All photographs © Jonathan Wilson